Publications
“‘I’ll always consider myself Mechanical’: Cyborg Juliette and the Shakespeare Apocalypse in Hugh Howey’s Silo Saga.” Shakespeare/Not Shakespeare. Eds. Christy Desmet, Natalie Loper, and Jim Casey. Palgrave-Macmillan. (forthcoming)
“‘It beggared all description’: Authorship and Character in Antony and Cleopatra.” This Rough Magic (December 2016). http://www.thisroughmagic.org/
“The Dead Can Speak; Or, The Testament of Elizabeth Sawyer in Dekker, Ford, and Rowley’s The Witch of Edmonton.” The Selected Papers of the Ohio Valley Shakespeare Conference, 7, Article 4 (2016). http://ideaexchange.uakron.edu/spovsc/vol7/iss2014/4
“Christopher Bullock.” The Encyclopedia of British Literature 1660-1789. Eds. Jack Lynch and Gary Day. Malden MA and Oxford UK: Blackwell Publishing, 2015.
“‘The … Monster which doth mock / The meat it feeds on’: R.E.M.’s Monst(e)rous Othello.” Journal of Adaptation in Film and Performance, 5.1 (2012): 5-24.
“Teaching Romeo and Juliet In and Against Popular Culture.” This Rough Magic (December 2011). http://www.thisroughmagic.org/
“Manson's R + J: Shakespeare, Marilyn Manson, and the fine art of Scapegoating.” Rock Brands: Selling Sounds in a Media Saturated Culture. Ed. Elizabeth Christian. Lanham MD: Lexington Books, 2011. 119-38.
“‘Ye sid ha taken my Counsel sir’: Restoration Satire and Theatrical Authority.” Gender and Power in Shrew-Taming Narratives, 1500-1700. Eds. David Wootton and Graham Holderness. New York: Palgrave Macmillan, 2010. 145-67.
"‘Thou’rt the man’: David Garrick, William Shakespeare, and the Masculinization of the Eighteenth-Century Stage.” Restoration and Eighteenth Century Theatre Research, 19 (2005): 22-42.
“Shakespeare, Molly House Culture, and the Eighteenth-Century Stage,” Comparative Drama, 38 (2004-2005): 401-23.